Babylonian Map of the World Includes “Ark” Story Linked to Noah’s Ark

by Pelican Press
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Babylonian Map of the World Includes “Ark” Story Linked to Noah’s Ark

A 3,000-year-old Babylonian tablet known as the Imago Mundi, or the “Babylonian Map of the World,” recently led British Museum researchers to an astonishing find: a reference to a Great Flood story that parallels the Biblical account of Noah’s Ark.

Originally unearthed in 1882 in Sippar, an ancient Babylonian city near present-day Baghdad, Iraq, this unique clay tablet has challenged archaeologists and scholars for over a century. However, a recent breakthrough in the deciphering of the cuneiform script on the tablet’s back has uncovered new details that connect ancient Babylonian beliefs with flood narratives familiar to many around the world.

A Map of Babylonian Cosmology

This remarkable tablet, barely larger than a hand, features the oldest known map of the world.

“If you look carefully,” explains Dr. Irving Finkel, a curator at the British Museum in a British Museum video, “you will see that the flat surface of the clay has a double circle drawn…with cuneiform writing in it which says it’s the ‘Bitter River’.”

Inside this double-ringed circle sits Babylon, encased by a water boundary representing Mesopotamia. The Euphrates River and several prominent cities, including Babylon itself, are marked within the map’s borders.

Left; Drawing by B. Meissner in Babylonian and Assyrian, 1925. Right; Babylonian Map of the World with false color.  ( Left; Bruno Meissner/Public Domain, Right; FlorinCB/CC0)

Beyond this “known world,” the tablet depicts triangular forms believed to represent mountains or distant, mysterious lands. These locations are associated with otherworldly features, described by Finkel as “places full of magic, and full of mystery.”

The inscriptions around these regions tell of strange lands where the sun never shines, jeweled trees grow, and giant, flightless birds roam, describes Finkel.

He notes that the eight original triangles, or regions, form a network of realms beyond the everyday reality of the Babylonians. One of these regions, revealed through recent analysis, has a striking similarity to the Biblical story of Noah’s Ark.

Babylonian Map Of The World Tablet – Imago Mundi from SketchFab 3D rendering. (© The British Museum/SketchFab/CC BY-NC-SA 4.0)

An Ancient Flood Story Echoing Noah’s Ark

The tablet’s back acts as a guide to these foreign lands, detailing what an adventurer might encounter on a journey to the “unknown.”

In a captivating description, one inscription advises that to reach the fourth triangle, “you must travel seven leagues,” whereupon the explorer would find “something thick as a parsiktu-vessel.” This rare term, “parsiktu,” references a precise vessel size, and has only been found on a few other Babylonian tablets, most notably in a Babylonian flood story involving a massive ark-like structure. This vessel was said to be built by Utnapishtim, the Babylonian Noah figure, following instructions from the god Ea to protect his family and various creatures from an impending flood.

According to Dr. Finkel, the cuneiform inscriptions on the Imago Mundi’s map detail this ancient “ark” that legend says came to rest on a mountain known as Urartu. In the Bible, Noah’s Ark similarly lands on “Ararat,” which scholars believe to be the same mountain range referred to as Urartu by the Babylonians.

“It shows that the story was the same,” Finkel explains, “and of course that one led to the other.” For the Babylonians, the ark’s journey was a matter of historical fact, reflected in their cosmology and geography.

Noah’s ark on the Mount Ararat, Simon de Myle, 1570. (Public Domain)

The Mesopotamian Flood Tradition and Its Influence

The Babylonian flood legend parallels not only Noah’s story but also other ancient Middle Eastern flood narratives, suggesting that these civilizations shared or influenced each other’s cultural memory of a great deluge. While the Gilgamesh Flood story is known from tablets dating back around 3,000 years, the Biblical flood narrative of Noah is dated to around 5,000 years ago, underscoring an ancient and deep-rooted connection among these civilizations’ mythologies.

Finkel explains that this story of a massive flood, survival, and an eventual sighting of the ark’s remnants on a mountain was more than legend for the Babylonians; it was woven into their worldview and cosmology. The Imago Mundi map offered a literal and symbolic depiction of this tale. To Finkel, the depiction represented the known world’s limits and the beginning of a land “beyond the limits of the known world” — a place of myth and imagination.

A Map of Knowledge and Legend Intertwined

The rediscovery of this ancient link between Babylonian and Biblical flood stories reignites the debate over Noah’s Ark and its purported resting place on Mount Ararat, notes a Daily Mail report.

Scientists from Istanbul Technical University, who have been examining the Mount Ararat site, recently found marine clay and evidence of ancient human activity, dating back around 3,000 to 5,000 years. Their discoveries raise questions about whether an ancient flood event shaped local landscapes and perhaps inspired these flood legends.

However, Dr. Andrew Snelling, a young Earth creationist with a Ph.D. from the University of Sydney, argues that Mount Ararat did not exist until AFTER any ancient flood event, which would have made it impossible for an ark to have landed there.

While most historians view Noah’s Ark as a symbolic tale rather than a historical account, the archaeological findings and textual discoveries continue to intrigue those interested in the possible real-world inspirations for such stories. The Imago Mundi tablet not only reveals the Babylonians’ perception of their world and cosmos but also reinforces how ancient cultures across the Middle East shared a common cultural memory of a great flood — a memory immortalized on this fragile clay tablet.

Top image: The Babylonian Map of the World, or Imago Mundi tablet.  Source: British Museum/YouTube Screenshot

By Gary Manners




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