The 14,000-year-old Le Tuc d’Audoubert Bison Sculpture

Our very distant ancestors are often portrayed as nothing more than hunters – toughened survivors in a primitive and crude world. But the truth is far from this – they were skilled hunters, sure, but also had an eye for art as well. The discovery of the bison sculptures in the Le Tuc d’Audoubert cave offered an extraordinary glimpse into the artistic, cultural, and spiritual life of prehistoric humans.

These sculptures, carved over 14,000 years ago during the Upper Paleolithic period, represent one of the finest examples of prehistoric art and provide valuable insights into the lives of the Magdalenian people, who thrived in Europe during this period. Nestled deep within a remote cave in the Pyrenees region of southern France, these bison figures, created from clay, are among the most well-preserved and remarkable examples of Ice Age art, demonstrating both artistic skill and a deep connection to the natural world.

Votive Bisons Hidden in the Depths of Cave

The Le Tuc d’Audoubert cave was first discovered in 1912 by three teenage brothers, living nearby. However, it was not until later that the bison sculptures, hidden in one of the cave’s remote chambers, were revealed. These figures are part of a series of intricate artworks found within the cave system, which includes engravings, drawings, and other sculptures.

Montesquieu-Avantès, Ariège, Midi-Pyrénées, France. Entrance to the cave of Tuc d’Audoubert, where the river Volp comes back to the surface. Henri Begouën’s sons and other people with the raft they used to enter the cave. Photo taken on July 20th, 1913, or 1914, the Begouën family celebrating the “discovery” of the cave (that is, the discovery of its paleolithic art, starting on July 16, 1912). (Public Domain)

The bison figures are remarkable not only for their size but also for their detailed realism. Each bison is approximately 63 cm (24.80 in) long, molded from the cave’s natural clay. The level of craftsmanship indicates that the creators had a deep understanding of the animal’s anatomy and behavior, as the bisons’ musculature, fur texture, and posture are rendered with incredible precision.

These sculptures are attributed to the Magdalenian culture, a late phase of the Upper Paleolithic, which lasted roughly from 17,000 to 12,000 years ago. The Magdalenian people were highly skilled hunters and gatherers, known for their sophisticated tool making techniques, as well as their advanced artistic abilities. The bison sculptures in Le Tuc d’Audoubert fit into a broader pattern of Ice Age cave art, much of which focuses on animals such as horses, mammoths, and bison, animals that were essential to the survival and cosmology of prehistoric humans. The bison was a frequent subject of prehistoric art, likely because of its importance as a food source and its symbolic significance in the culture of the time.

The artistic sophistication of the bison sculptures in Le Tuc d’Audoubert is nothing short of astonishing. Unlike many other examples of prehistoric art that are painted or engraved on cave walls, these figures are modeled in three dimensions. The use of clay, a material readily available within the cave, allowed the artists to create lifelike representations that go beyond simple depictions to evoke the strength, movement, and vitality of the animals.

Bison in situ in the cave. (Parkyn, Ernest Albert/Public Domain)

The Inherent Need for Creation

The technique used to create these bison sculptures involved shaping the clay directly with the hands, using fingers to mold the contours of the bison’s bodies. Impressions made by fingers are still visible on the sculptures, offering a direct link to the individuals who created them. The surface of the clay was carefully smoothed, and details such as the texture of the fur were added using a variety of tools, possibly including bones or sticks. The precision and care in crafting the sculptures suggest that they were made by individuals with specialized skills and a deep artistic sensibility.

One of the most fascinating aspects of these sculptures is their location within the cave. The bison are found in a remote, dark chamber far from the cave’s entrance, accessible only through a difficult journey that would have required torches for illumination. This suggests that the creation and viewing of the sculptures may have been part of a ritual or ceremonial process. The act of making art deep within the earth, away from daily life, indicates that these sculptures likely held a special significance beyond mere decoration.

Entrance to the Tuc d’Audoubert cave. Montesquieu-Avantès (Ariège, France) (Olybrius/CC BY-SA 4.0)

The bison sculptures, like much of prehistoric cave art, are often interpreted as having a symbolic or spiritual meaning. In many hunter-gatherer societies, animals played a central role in cosmology and mythology, serving as totems or symbols of power and fertility. The bison, a large and powerful animal, may have represented strength, abundance, or the life-sustaining power of nature. Some researchers have suggested that the sculptures may have been created as part of a hunting ritual, intended to ensure success in the hunt or to honor the animal’s spirit.

Additionally, the secluded location of the sculptures suggests that they may have been part of a shamanistic or spiritual practice. The difficulty in accessing the chamber where the bison were created implies that they were not meant to be viewed by everyone, but rather by a select few, possibly shamans or individuals with special knowledge. In many prehistoric cultures, caves were seen as sacred spaces, symbolic of the womb of the earth, where rituals connected to fertility, life, and death were performed. The creation of the bison deep within the cave may reflect a belief in the cave as a place of transformation, where humans could connect with the spiritual world.

The Shamans of the Ancient Past

The bison sculptures of Le Tuc d’Audoubert stand as a testament to the artistic and cultural achievements of the Magdalenian people. These intricately crafted figures not only demonstrate the technical skill and creativity of prehistoric humans but also offer a glimpse into the spiritual and symbolic world of the Ice Age. The discovery of these sculptures enriches our understanding of prehistoric art and reminds us of the deep, ancient connection between humans and the animals that have long played a central role in our survival and imagination.

Without a doubt, the bison sculptures of Le Tuc d’Audoubert are not merely relics of a distant past but enduring symbols of human ingenuity, spirituality, and the timeless desire to create art that reflects the world and its mysteries. Their significance extends far beyond the walls of the cave, offering insights into the very nature of human creativity and the complex relationship between art, nature, and the sacred.

Top image: A model of the famous Tuc d’Audoubert sculpture of bison bull and cow at the Archaeological Museum of Saint-Germain-en-Laye                                  Source: Guérin Nicolas/CC BY-SA 3.0

By Aleksa Vučković

References
Baumann, H. 1954. The Caves of the Great Hunters. Pantheon Books.

Breuil, H. 1979. Four Hundred Centuries of Cave Art. Hacker Art Books.

Leroi-Gourhan, A. 1982. The Dawn of European Art: An Introduction to Paleolithic Cave Painting. CUP Archive.